National Archives and Records Administration (NARA). 165-WW-296A-019. Extracted from original black and white photograph and digitally colorized.
Anon, ‘Soul Study’ Photos for Ugly Folk: Camera Decreases Years and Removes Double Chins for Patrons (reprinted from the New York Sun) in Abel’s Photographic Weekly. Vol 30 No 774, October 21, 1922, pp. 460-462.
I’m satisfied with photography that shows people as they are. I think that’s what it’s for. I never could see that it was any compliment to a photograph to say that it looked like an oil painting.
It isn’t a photograph’s business to be like an oil painting, and a thing that imitates something else is just a joke, with no sincerity or usefulness in it. All that foggy, smokey, posey camouflage that they’ve dragged into photography to make it look like art doesn’t make any impression on me at all. I want a picture of myself as I am or none at all, but if you want one that makes you look like a dying duck in a thunderstorm you’d better go and get it without consulting me.
Tuesday, April 18, 2017
Tuesday, April 4, 2017
Kenny Miesner (former student of whom we have warm memories) shared with us this image and link to Focus Lab studio's concept (not actually used by the client) of a dazzle-camouflaged beer can. It reminded us of a reviewer's comment when the Chelsea Arts Club Dazzle Ball was held in London in 1919. The writer cautioned that the dazzle-patterned costumes might cause the dancers to collide. No doubt a couple of beers would help.